Ruben Östlund’s Palme d’Or-winning satire masterfully skewers capitalism and the extremely wealthy.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Ruben Östlund’s Palme d’Or-winning satire masterfully skewers capitalism and the extremely wealthy.
Andrew Dominik’s thoughtful examination of the myth of Marilyn Monroe is one of the year’s best films.
This failed evangelical satire is one of the most disorganized films of the past decade.
Javier Bardem adds to his already impressive resumé with this witty workplace dramedy.
George Miller, Tilda Swinton, and Idris Elba cast a marvelous spell in this visually stunning and emotionally rich fantasy.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
David Cronenberg’s latest body horror film is merely weird for weird’s sake.
Big emotional highs and the magic of moviemaking combine in this lovely adventure with the Crawleys.
The late Roger Michell’s final narrative film is lovely, well-rounded portrait of a real-life humanist.
Céline Sciamma’s wonderfully mischievous time-travel drama is loaded with thought-provoking concepts and emotional resonance.
Robert Eggers’ viking epic feels like it couldn’t have been told any better.
Though visually and sonically rich, this British period romance is agonizingly slow and demure in its exhibition of emotions.
Ben Affleck, Ana de Armas, and a talented supporting cast embarrass themselves in Adrian Lyne’s ludicrous thriller.
Kogonada’s soulful follow-up to “Columbus” explores love and humanity in unexpected places.
Anchored by a powerful Clifton Collins Jr. performance, Clint Bentley’s drama provides an unflinching look at professional horse racing.
This accidental YA parody hints at intentional farce, yet takes itself far too seriously.
James finds the latest big anime film overly grating, while Edwin considers it one of the year’s best films.
Ryusuke Hamaguchi’s meditation on loss and regret is one of the year’s best films.
Guillermo del Toro star-studded noir starts slow but finishes strong.