Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Japanese
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Wim Wenders’ soulful dramedy celebrates life’s simple pleasures.
Quick takes on new films from Hayao Miyazaki, Hirokazu Kore-eda, and Aki Kaurismäki, plus the latest Godzilla movie.
James finds the latest big anime film overly grating, while Edwin considers it one of the year’s best films.
Ryusuke Hamaguchi’s meditation on loss and regret is one of the year’s best films.
Makoto Nagahisa throws everything in his cinematic arsenal at the proverbial wall — and gets most of it to stick.
Takashi Miike adds comedy to his stylistic violence with great success.
Hirokazu Kore-eda’s Palm d’Or-winning drama further cements his status as the Japanese Mike Leigh.
Makoto Shinkai's global box office sensation is a feast for the eyes, occasionally to a fault.
Less than a year after the pleasant Our Little Sister, Hirokazu Kore-eda returns with this thorough, moving portrait of a man adrift.
