The once-mighty Anthony and Joe Russo achieve a new career low.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All by Edwin Arnaudin
The once-mighty Anthony and Joe Russo achieve a new career low.
John Malkovich is at his kooky best in Mark Anthony Green’s promising feature directorial debut.
Steven Soderbergh’s spy thriller is the first great film of 2025.
Bong Joon-ho’s first misfire still packs plenty of creativity and political satire.
It’s got snakes jumping out of a gun — what more could you want?
John Lithgow and Geoffrey Rush face off in this delightfully nasty slice of New Zealand horror.
Osgood Perkins embraces his freewheeling side in this entertaining horror/comedy.
Anthony Mackie’s first feature-length spin as Cap is a nimble, action-packed adventure, full of political intrigue.
The surprise hit series’ third installment is another family-friendly winner.
Walter Salles’ fact-based Brazilian drama merits all its Oscar love (and more).
Writer/director Christopher Andrews’ impressive debut is an exercise in harrowing drama.
Sophie Thatcher shines in this well-made dark comedy that nevertheless feels like a first draft.
An unhinged Mark Wahlberg wreaks havoc on a tiny plane in Mel Gibson’s uneven but entertaining thriller.
Steven Soderbergh’s high-concept horror experiment is a rare misfire from the legendary filmmaker.
Leigh Whannell’s latest Universal Monsters reboot starts strong, then plummets in spectacular fashion.
The rare action sequel that’s as good as its predecessor.
Gia Coppola’s blunt look at a toxic industry flirts with greatness but never hits its mark.
This biopic of Olympic boxer Claressa Shields is one giant cliché.