Naomi Watts plays the ultimate Karen in this sorry excuse for a dog movie.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Literary adaptation
Naomi Watts plays the ultimate Karen in this sorry excuse for a dog movie.
Bong Joon-ho’s first misfire still packs plenty of creativity and political satire.
It’s got snakes jumping out of a gun — what more could you want?
Osgood Perkins embraces his freewheeling side in this entertaining horror/comedy.
The surprise hit series’ third installment is another family-friendly winner.
Ralph Fiennes elevates this otherwise languid “Odyssey” adaptation.
Well, at least it’s better than the stage musical.
Creative visuals and an ominous sense of gloom buoy this period horror tale.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
A huge step back from the excellent Part One, this sloppy follow-up barely feels like a Denis Villeneuve film.
Anh Hung Tran’s culinary romance is a feast for the senses.
Andrew Haigh’s emotionally rich meditation on grief and imagination is a wonder to behold.
Jonathan Glazer’s Holocaust drama may have missed its calling as a short film.
Ava DuVernay rebounds in spectacular fashion from “A Wrinkle in Time” with this fact-based social justice drama.
Cord Jefferson’s satire has plenty of bite, but also an unexpectedly warm heart.
George Clooney’s lifeless adaptation of Daniel James Brown’s fact-based bestseller is a pandering slog.
Yorgos Lanthimos channels Jean-Pierre Jeunet in this wild and wonderful societal critique.
This prequel is the best film in the series — but that’s still not saying much.