Creative visuals and an ominous sense of gloom buoy this period horror tale.
Your guide to Asheville's vibrant and diverse movie offerings.
All in French
Creative visuals and an ominous sense of gloom buoy this period horror tale.
Anh Hung Tran’s culinary romance is a feast for the senses.
François Ozon’s playful comedy/thriller is simultaneously a throwback and decidedly modern.
Pedestrian filmmaking hampers this sharply written and acted Palme d’Or winner.
Sébastien Marnier’s slow-burn thriller rewards viewers’ patience.
Dominik Moll’s police procedural is the French equivalent of “Memories of Murder.”
Quentin Dupieux latest oddball effort lives and dies by its randomness.
Céline Sciamma’s wonderfully mischievous time-travel drama is loaded with thought-provoking concepts and emotional resonance.
The story of a shy young woman who falls in love with an amusement park ride is a charming fantasy, until it’s not.
A fine love story between two older women, Two of Us is about the risks of never coming out, and the risks of never letting go of your one great romance.
Yvan Attal excels as co-writer, director, and star of this quirky French dramedy.
A gripping and unpredictable German drama, set in the world of classical music.
This three-part film traces the progress of LGBTQ rights across more than 30 years through the turmoil in the lives of one French family.
A short-film premise is stretched beyond what it can support in this occasionally entertaining and inspiring French drama.
Absurdist filmmaker Quentin Dupieux keeps his weird streak intact with a classic tale of a man and his possessed jacket.
This charming, keenly observed French comedy is about two lonely people who might be the cure for one another’s melancholy — if only they would meet.
A fairly standard, stuffy costume drama, despite strong performances and occasional big emotions.
France’s questionable Oscar entry-turned-nominee is a half-baked “Training Day” retread.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
Olivier Assayas’ returns to meditations on art, commerce, and flawed celebrities with a look at the Parisian publishing world.