This Oscar nominee starts strong before crumbling under the weight of implausibly bad character decisions.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in German
This Oscar nominee starts strong before crumbling under the weight of implausibly bad character decisions.
Jonathan Glazer’s Holocaust drama may have missed its calling as a short film.
An Israeli/Palestinian youth orchestra prepares for a concert in this well-meaning but frequently hokey drama.
The second film to tell this amazing and true East German escape story is consistently entertaining and adheres largely to the facts.
Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
The surprise double Oscar nominee is a rewarding but trying three-hour experience.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
François Ozon’s riff on Ernst Lubitsch’s Broken Lullaby is the kind of emotionally-rich and visually confident work rarely seen in modern movies.
