Yes, the Pharrell Williams bio-doc is told through animated LEGOs — and it’s phenomenal.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Documentary
Yes, the Pharrell Williams bio-doc is told through animated LEGOs — and it’s phenomenal.
Quick takes on this week’s new arthouse releases.
James and Edwin discuss this year’s nominees.
Yogi Berra gets his due in this bio-doc that comes off more desperate than its filmmakers likely intended.
Suzanne Raes’ documentary provides a fascinating behind-the-scenes look at the Rijksmuseum’s stunning exhibition.
The latest batch of finalist cover a range of compelling subjects, but all feel incomplete.
Lizzie Gottlieb’s documentary on “the two Bobs” is thoroughly delightful.
Louie Schwartzberg’s followup to “Fantastic Fungi” is a frustrating collection of tone-deaf, self-congratulatory platitudes.
This documentary about the Ram Dass associate plays more like a recorded lecture than a film.
Brett Morgen casts an entrancing spell with his excellent David Bowie documentary.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
The legendary pitcher gets the bio-doc treatment in this entertaining retrospective.
This year’s nominees tackle such difficult subjects as homelessness and refugees — and the joys of a historic female basketball player.
Jonas Poher Rasmussen’s animation/documentary hybrid puts a creative spin on an already unusual refugee saga.
Spike Lee thoroughly explores his hometown’s responses to the COVID-19 pandemic and 9/11 in this extraordinary documentary epic.
Reviews of Pig, Space Jam: A New Legacy, Escape Room: Tournament of Champions, Joe Bell, and Val.
Anthony Bourdain is chronicled, warts and all, in Morgan Neville’s energetic, informative documentary.
Edgar Wright’s debut documentary skillfully introduces the band Sparks to the masses.
Ahmir-Khalib “Questlove” Thompson’s loving documentary on the 1969 Harlem Cultural Festival is pure joy.
Vocal imitations by Jim Parsons and Zachary Quinto can’t compare with the real-life authors in this engaging documentary.
