The Asheville Movie Guys discuss the big-screen adaptation of Lin-Manuel Miranda’s first musical.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
The Asheville Movie Guys discuss the big-screen adaptation of Lin-Manuel Miranda’s first musical.
A British journalist plays a risky game of deception with a terrorist recruiter in Timur Bekmambetov tense Screenlife thriller.
Taylor Sheridan’s wilderness-set thriller is his second misguided writing collaboration of 2021.
Zack Snyder’s first non-superhero film in a decade sheds the self-importance of his DCEU efforts, but is rife with other issues.
The Asheville Movie Guys discuss Joe Wright’s star-studded thriller.
All the new releases I saw in 2020, ranked from worst to best. Part Five covers films 1-50.
All the new releases I saw in 2020, ranked from worst to best. Part Four covers films 51-100.
All the new releases I saw in 2020, ranked from worst to best. Part Three covers films 101-150.
All the new releases I saw in 2020, ranked from worst to best. Part Two covers films 151-200.
All the new releases I saw in 2020, ranked from worst to best. Part One covers films 201-226.
Billy Crystal and Tiffany Haddish display top-notch chemistry in this charming memory-loss dramedy.
Guy Ritchie and Jason Statham reunite for this grim yet thoroughly entertaining thriller.
Roy Andersson doles out 33 slice-of-life vignettes that carry significant individual and cumulative power.
This visually sumptuous and poetic portrait of elderly men who hunt for the culinary delicacy with trained dogs captures a disappearing quirk of Northern Italian culture.
There are no gimmicks or twists to be found here — just a straightforward terminal illness drama that allows genuine emotions to shine through in every interaction.
Traylor, a former slave, created an artistic legacy rediscovered in the 1980s by both the art world and the artist’s many descendants.
Ben Wheatley’s pandemic horror flick is just suspenseful enough to work, but feels hemmed in by COVID restrictions.
Neil Burger triumphantly returns to sci-fi with this intelligent, well-made thriller about a troubled space mission.
This Oscar nominee skewers everyone from celebrity artists to refugee advocates in its tale of a Syrian man who is turned into an art object.
