This comprehensive journey through the performer’s life and successes is narrated and shaped by those who knew him the best.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
This comprehensive journey through the performer’s life and successes is narrated and shaped by those who knew him the best.
The story of a gay man (Henry Golding) in search of his roots in Vietnam, this “Monsoon” may move you, but don’t expect to be blown away.
Claes Bang and Guy Pearce go head-to-head in this entertaining fact-based drama.
The quest to expose deep-rooted corruption is at the heart of Alexander Nanau’s gripping documentary.
The Asheville Movie Guys discuss Ron Howard’s adaptation of J.D. Vance’s best-selling memoir.
Vince Vaughn and Kathryn Newton are hilarious in Christopher Landon’s bloody body-swap horror/comedy.
The latest from Irish animation artist Tomm Moore is visually sumptuous and relates a captivating myth.
A mild comedy shot in long takes, this unusual indie film hits some rough patches but is ultimately worth the climb.
The Asheville Movie Guys discuss Woody Allen’s new romantic comedy.
Ever been stuck in a 4-1/2-hour Zoom meeting about the minutia of city government? That’s what this highly uninformative doc is like.
Kyle Thrash’s documentary on Philadelphia Eagles’ fans during the 2017 season is a fascinating example of a filmmaker being in the right place at the right time.
Diane Lane and Kevin Costner reunite in this well-written and acted thriller.
It’s a remarkable immigration success story about the man who beat back Dunkin Donuts in California. But it isn’t all sprinkles and cream.
Sacha Baron Cohen and Maria Bakalova earn plentiful laughs in this rare sequel that improves on its predecessor.
The poignant emotions of this chamber drama will be recognizable to any adult child coming to understand the full humanity of his or her own mother.
Jacob Chase’s confident horror feature is rich in scares and social commentary.
Anne Hathaway embarrasses herself early and often in Robert Zemeckis’ uninspired Roald Dahl adaptation.
This gentle, gritty Italian comedy about three pensioners turns on the tension between “the grass is always greener” and “home sweet home.”
Ben Wheatley’s colorful take on Daphne Du Maurier’s gothic novel improves on Alfred Hitchcock’s vision.
