Quick takes on new films from Hayao Miyazaki, Hirokazu Kore-eda, and Aki Kaurismäki, plus the latest Godzilla movie.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Quick takes on new films from Hayao Miyazaki, Hirokazu Kore-eda, and Aki Kaurismäki, plus the latest Godzilla movie.
Let weird Joaquin cook!
Emerald Fennell’s ambitious follow-up to “Promising Young Woman” is a sinister comic marvel.
Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
Yet another Sofia Coppola film that keeps emotions at a distance and only resonates on aesthetic levels.
Pedestrian filmmaking hampers this sharply written and acted Palme d’Or winner.
Martin Scorsese’s enthralling fact-based drama adds another masterpiece to his already legendary resumé.
Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
John Carney adds to his already rich oeuvre of feel-good films about the healing power of music.
Gareth Edwards’ sci-fi epic lacks the content to match its technical elements.
Wes Anderson returns to the rich Roald Dahl well with charming adaptations of four short stories.
Sébastien Marnier’s slow-burn thriller rewards viewers’ patience.
Franz Rogowski, Adèle Exarchopoulos, and Ben Whishaw collide to memorable ends in Ira Sachs’ bisexual romance.
Christopher Nolan’s biopic expertly marries dialogue-driven action and his trademark epic spectacle.
Wes Anderson sticks the landing on his most ambitious narrative yet.
Margaret Qualley and Christopher Abbott manipulate each other in this over-stretched erotic thriller.
The latest dramatized product chronicle is one of the year’s best films — until an epic collapse undermines its significant gains.
Kelly Reichardt’s latest character study is sparse and dry even by the filmmaker’s arid standards.
