Claire Denis’ dull sci-fi drama squanders sharp visuals and strong performances.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Claire Denis’ dull sci-fi drama squanders sharp visuals and strong performances.
A strong lead turn by Mary Kay Place and near-universal relatability can’t save this plodding drama.
Emilio Estevez’s Cincinnati-set wake-up call about the relevancy of public libraries is a bit too folksy and loose for its own good.
Keira Knightley, Jason Clarke, and Alexander Skarsgård bolster this compelling post-WWII drama.
Prepare yourself for a freaky, atmospheric story with plenty of quality jump scares.
Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
A young Jewish woman in Mexico City defies her family by beginning a romance with a non-Jewish man.
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
Michael Winterbottom further diversifies his directorial portfolio with this finely-crafted, India-set thriller.
Halldóra Geirharðsdóttir excels in dual roles in this quirky Icelandic eco-thriller.
The combination of Hal Linden and creative animation elevates this movie above its predicable screenplay.
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
Sebastián Lelio’s faithful English-language remake of his 2013 breakthrough Gloria improves on the original.
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
Young people with cystic fibrosis deserve a better movie love story. And a better hospital.
Penélope Cruz and Javier Bardem simmer in Iranian master Asghar Farhadi's surprisingly straightforward mystery that nonetheless packs his textbook emotional wallops.
One man’s ambition sets up a fascinating clash between his indigenous Wayuu clan’s traditional values and encroaching ideals propelled by greed and violence.
The scattered successes by Tyler Perry & Co. feel haphazard and the barrage of attempts at humor and the high percentage of failure is borderline exhausting.
Executive produced by Tim Tebow, the football drama refreshingly taps its faith-based button before inevitably leaning on it.
An all-time great child performance and sustained hope over a lengthy runtime makes Nadine Labaki’s latest a worthy Oscar nominee.
