Helen Mirren and Donald Sutherland subvert road trip standards in this generally charming and emotionally rich little movie.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Helen Mirren and Donald Sutherland subvert road trip standards in this generally charming and emotionally rich little movie.
Sally Potter's brief B&W experiment is a decent excuse to watch a talented ensemble display its skills.
A worthy send-off for the late, great Anton Yelchin, Cory Finley's darkly comedic debut is also a showcase for the talents of Anya Taylor-Joy and Olivia Cooke.
Michael Haneke has even less than usual to say about the human condition in his latest downer.
The Asheville Movie Guys dust off their Russian accents and play spy games with Jennifer Lawrence and a star-studded supporting cast.
The subtle, fact-based period British drama failed to receive an awards-season push, and it's easy to see why.
The Lebanese Oscar-nominee starts off as a promising culture clash before succumbing to preachiness.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
The curiosity of Clint Eastwood using real-life heroes to reenact their brave exploits makes for a generally compelling view, but is let down by a script that asks too much from its amateur performers.
The Asheville Movie Guys take one last spin with America's sweethearts, Ana and Christian.
Paul Thomas Anderson and Daniel Day-Lewis reunite a decade after There Will Be Blood and, with help from two immensely talented actresses, achieve similar success.
Where do the Asheville Movie Guys stand on the critically acclaimed coming-of-age film?
Robin Campillo's French AIDS drama plays out in such an authentic fashion that it frequently resembles a documentary.
Packed with great performances, Aaron Sorkin's directorial debut appropriately matches the energy of his writing.
Steven Spielberg's star-studded take on the Washington Post's handling of the Pentagon Papers is one of the year's best, most entertaining and most important films.
Seemingly improved by its last-minute recasting, the dramatization of the John Paul Getty III kidnapping is little more than a classic shaggy Ridley Scott film.
Joe Wright steps out of the way to let Gary Oldman deliver a towering performance as Winston Churchill.
The frequently unpleasant, '50s-set drama is the second consecutive Woody Allen feature to raise the question of whether he has quality stories left to tell.
