Todd Haynes’ heavy-handed environmental drama does wrong by its inspirational real-life hero.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Based on a true story
Todd Haynes’ heavy-handed environmental drama does wrong by its inspirational real-life hero.
The reunion of Felicity Jones and Eddie Redmayne amidst decent atmospheric spectacle elevates this fact-based adventure.
Tom Hanks’ Fred Rogers erodes viewer cynicism in this very special fact-based film.
James Mangold’s fact-based auto-racing film is old school Hollywood entertainment at its finest.
Adam Driver is mesmerizing in Scott Z. Burns’ fact-based political procedural.
Dated special effects, an overly reverent script, and one of the dullest, whitest casts ever assembled pay poor homage to WWII heroes.
This fact-based French drama is a landmark achievement in humanizing the impact of sexual abuse by Catholic priests and just as gripping as Spotlight.
It’s not the most insightful historical recreation, but it is a hell of a story, told with top production values and luminous cinematography.
Noah Hawley’s feature directorial debut is a forgettable one.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
It’s an engaging and well made movie, despite living in “Movie of the Week” territory, in this case taking on “our broken justice system.”
The Asheville Movie Guys head to China for a discussion of Lulu Wang’s sophomore feature.
Quentin Tarantino’s latest stunner makes expert use of modern cinema’s biggest stars in a landscape fitting of their talents and charisma.
Compelling performances by Judi Dench and Sophie Cookson are undermined by sluggish pacing and flat direction in this fact-based spy drama.
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
In the Old West, a 14-year-old on the run with his sister learns life lessons from both Billy the Kid and Pat Garrett.
The new documentary may best be appreciated as an appendix to last year’s First Man, a narrative film that tells you more about the people involved and covers the back story that’s missing here.
