Joshua John Miller’s uneven film is essentially the “Scream” of exorcism movies.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Joshua John Miller’s uneven film is essentially the “Scream” of exorcism movies.
Writer/director Jeff Nichols maintains his flawless track record with this emotionally rich, fact-based tale of 1960s biker life.
The “Saint Frances” team returns with another hilarious yet emotionally rich film.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
June Squibb and Richard Roundtree aren’t the heroes we deserve, but they’re the ones we need
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
Ally Pankiw’s film is a messy jumble of genres and failed attempts at humor.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Richard Linklater’s latest fact-based winner makes the most of star Glen Powell’s charms.
Filmed in Hendersonville, this lousy, star-studded comedy’s lone appeal is the local scenery.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Pamela Adlon’s directorial debut serves of nearly non-stop laughs and Intelligent commentary on adult friendships, modern motherhood, and other mature matters.
Director Wes Ball improbably delivers the series’ best installment since 2011.
David Leitch’s action/comedy is an overstuffed but loving ode to the stunt community.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
Writer/director/star Vera Drew’s trans coming-of-age story is an inspired mess.