Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
June Squibb and Richard Roundtree aren’t the heroes we deserve, but they’re the ones we need
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
Ally Pankiw’s film is a messy jumble of genres and failed attempts at humor.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Richard Linklater’s latest fact-based winner makes the most of star Glen Powell’s charms.
Filmed in Hendersonville, this lousy, star-studded comedy’s lone appeal is the local scenery.
Ryusuke Hamaguchi’s follow-up to “Drive My Car” is another soulful stunner.
Pamela Adlon’s directorial debut serves of nearly non-stop laughs and Intelligent commentary on adult friendships, modern motherhood, and other mature matters.
Director Wes Ball improbably delivers the series’ best installment since 2011.
David Leitch’s action/comedy is an overstuffed but loving ode to the stunt community.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
Writer/director/star Vera Drew’s trans coming-of-age story is an inspired mess.
Avoid the film’s spoiler-rich marketing if you can. Otherwise, there’s little point seeing this so-so thriller.
Quirky fun abounds in the Zellner Bros.’ Bigfoot movie, but a little goes a long way.
Alex Garland’s speculative thriller is equal parts bracing, challenging, and entertaining.
