The latest dramatized product chronicle is one of the year’s best films — until an epic collapse undermines its significant gains.
Your guide to Asheville's vibrant and diverse movie offerings.
The latest dramatized product chronicle is one of the year’s best films — until an epic collapse undermines its significant gains.
A committed Jennifer Lopez can only do so much to help this bland action/thriller.
Scene-stealing turns by Jason Momoa and John Cena pair nicely with the series’ usual ridiculous action set pieces.
Kelly Reichardt’s latest character study is sparse and dry even by the filmmaker’s arid standards.
Honest explorations of male friendships that don't involve toxic levels of masculinity or virility are a welcome change from the hardened stoicism we’re so often fed by our franchised heroes and loner tough guys.
Kristoffer Borgli’s pitch-black comedy dishes up a scathing critique of attention hounds and fame-seekers in the age of social media.
Ben Affleck and Robert Rodriguez achieve new career lows with this astonishing failure.
Isa and Edwin blast off with the MCU’s rag-tag group of heroes one last (?) time.
Judy Blume’s seminal 1970 novel receives a thoughtful adaptation from writer/director Kelly Freeman Craig.
Nida Manzoor’s feature directorial debut is a quirky delight — until it enters cuckoopants territory.
Guy Ritchie isn’t the best fit for this respectable Afghanistan War thriller.
Lee Cronin’s blood-coated, thoroughly entertaining sequel honors Sam Raimi and Bruce Campbell.
Jalmari Helander’s hyper-violent revenge film elicits immense joy via killing Nazis.
Daniel Goldhaber’s activism docudrama does what it can with inherently limited material.
James and Edwin discuss Ari Aster’s sprawling new film.
Despite Toni Collette’s physical comedy skills, this action/comedy is a tonal mess.
Nicolas Cage’s Dracula lives up to its zany potential in this unapologetically bloody and violent action/comedy.
Haven’t audience-insulting, by-the-book sports biopics like this been outlawed by now?
Rather than parody Bob Ross, writer/director Brit McAdams has something more ambitious in mind, and his distinct, heartfelt take on the romantic comedy is a treat to experience.