This year’s nominees feature everything from a talking fox to a naked sailor hurled skyward by an explosion.
Your guide to Asheville's vibrant and diverse movie offerings.
This year’s nominees feature everything from a talking fox to a naked sailor hurled skyward by an explosion.
M. Night Shyamalan’s weaknesses as a writer/director hamper this would-be apocalyptic thriller.
Brandon Cronenberg’s latest mindf*#& is visually creative but narratively messy.
Luca Guadagnino’s cannibal road-trip movie might be the year’s most disjointed release.
Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
“Die Hard” meets “Bad Santa” and “Home Alone” in this wild addition to the holiday canon.
Steven Spielberg dramatizes his youth to highly entertaining ends.
A minimal plot and esoteric subject matter keep this debut drama from making much of an impression.
Mark Mylod’s star-studded foodie satire is far funnier than you’ve been led to believe.
Ryan Cooler & Co. craft a loving tribute to Chadwick Boseman while pushing their saga forward in impressive fashion.
The parody songwriter’s “life” makes for a near-ideal parody of music biopics.
A friendship comes to a sudden end in Martin McDonagh’s dark, metaphorically rich, period dramedy.
Todd Field and a career-best Cate Blanchett match tempos in the writer/director’s first film in 15 years.
Park Chan-wook’s meticulously crafted crime thriller is a wonder to behold.
Rampant silliness and the chemistry of Julia Roberts and George Clooney more than compensate for predictable storytelling.
Louie Schwartzberg’s followup to “Fantastic Fungi” is a frustrating collection of tone-deaf, self-congratulatory platitudes.
Ruben Östlund’s Palme d’Or-winning satire masterfully skewers capitalism and the extremely wealthy.
This documentary about the Ram Dass associate plays more like a recorded lecture than a film.