The latest Ryan Reynolds/Shawn Levy collaboration is a busy mess with a few redeeming elements.
Your guide to Asheville's vibrant and diverse movie offerings.
The latest Ryan Reynolds/Shawn Levy collaboration is a busy mess with a few redeeming elements.
Domee Shi’s coming-of-age comedy further enhances Pixar’s legacy.
Mariama Diallo’s feature debut plays like the heir to “Get Out,” but falls apart at the end.
Kogonada’s soulful follow-up to “Columbus” explores love and humanity in unexpected places.
A decade after “The Dark Knight Rises,” it’s finally time to get excited about a new Batman again.
This year’s nominees tackle such difficult subjects as homelessness and refugees — and the joys of a historic female basketball player.
A clear favorite emerges from the latest batch of nominees, which features edgier fare than usual.
This year’s surprisingly subpar finalists range from dystopian to downright cruel.
High-quality popcorn entertainment in the tradition of the “National Treasure” and “Pirates of the Caribbean” series.
Creative twists on werewolf lore are marred by an overly slow-burn pace and repetitive action.
One of the worst Liam Neeson “man with a particular set of skills" movies thus far.
Owen Wilson rises to the occasion in this glitzy rom-com, while Jennifer Lopez struggles to keep up.
Anchored by a powerful Clifton Collins Jr. performance, Clint Bentley’s drama provides an unflinching look at professional horse racing.
Steven Soderbergh’s latest expertly crafted thriller is bolstered by a top-form Zoë Kravitz.
The series’ alleged curtain call delivers plenty of big laughs, but runs out of steam without its usual amount of hidden-camera pranks.
Wes Craven is sorely missed in the series’ worst installment thus far.
Jonas Poher Rasmussen’s animation/documentary hybrid puts a creative spin on an already unusual refugee saga.
This accidental YA parody hints at intentional farce, yet takes itself far too seriously.