Scott Cooper’s hard-nosed style translates well to this dark, gritty tale of folkloric horror.
Your guide to Asheville's vibrant and diverse movie offerings.
Scott Cooper’s hard-nosed style translates well to this dark, gritty tale of folkloric horror.
Denis Villeneuve & Co. take their time with this visually stunning adaptation that’s very much a Part One.
Far more dark fantasy than horror, this Icelandic slow-burn thriller is a master class in suspenseful wonder.
Matt Damon, Adam Driver, and Jodie Comer head to the Middle Ages for the engrossing true story of France’s 14th century #MeToo moment.
David Gordon Green & Co. ramp up the body count for this grisly sequel, but neglect their writing and directing duties.
Tom Hardy keeps the odd couple action/comedy come book series entertaining, despite a pair of lackluster villains.
Though occasionally convoluted, this entertaining entry in the James Bond franchise is a worthy send-off for Daniel Craig as 007.
In which an Asheville Movie Guy recalls his own close encounter with Tammy Faye Bakker, and considers Jessica Chastain’s movie version.
The latest riff on the ghoulish family’s adventures is a road movie with a full-on mad scientist finale. It’s like amusing fan fiction.
This full-on, feel-good musical follows an English teenager who aspires to be a drag queen — including at the school prom.
The Asheville Movie Guys do not see eye to eye on this film adaptation of the smash-hit Broadway musical.
Spike Lee thoroughly explores his hometown’s responses to the COVID-19 pandemic and 9/11 in this extraordinary documentary epic.
Paul Schrader and Oscar Isaac prove a formidable team in this enthralling poker drama.
This satisfying then-and-now dual murder mystery takes actor Eric Bana back to his native Australia.
The Asheville Movie Guys discuss the latest MCU adventure.
Nia DaCosta’s sequel succeeds as a horror film, but is less effective as a social thriller.
Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
This extremely safe Aretha Franklin biopic honors the singer’s music, but not the woman herself.