Antonio Campos’ star-studded period drama is a near complete failure.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Antonio Campos’ star-studded period drama is a near complete failure.
The impressive feature directorial debut of Gerard Bush and Christopher Renz is one of the great modern social thrillers.
Combining excellent archival footage and photos with fresh interviews, it’s both a Carter presidency primer and a fine music documentary.
Barbara Kopple’s terrific documentary pays tribute to a largely forgotten act of bravery.
It is a great story, like something out of “Zelig,” a one-week encounter stretched out to the length of a feature documentary.
Charlie Kaufman’s twisty, challenging, yet rewarding film might be his most Charlie Kaufman-y work yet.
Russell Crowe’s road-rage thriller is the perfect film for 2020 — and that's not a compliment.
This documentary about the French Impressionist uses only excerpts from his rather unilluminating letters as narration, but the paintings are still stunning.
This art world thriller is like a cross between “The Talented Mr. Ripley” and one of the Coen Brothers’ darker movies. And it’s got Mick Jagger in a dramatic role.
Alex Winter and Keanu Reeves pick right back up where they left off 20 years ago — with a major assist from the next generation of Prestons and Logans.
Like a great album backloaded with filler tracks, this music format documentary starts strong then runs out of things to say.
James Cromwell stars in this sketch-like comedy about four old guys plotting a nursing home escape. Like the guys themselves, it’s harmless and amiable.
Ethan Hawke stars in this improbably lifeless biopic of the esteemed inventor.
Taghi Amirani's documentary is a fascinating convergence of imagination and education — and might very well be the first truly must-see film of 2020.
Is universal pre-K a worthy cause? Yes. Is this quasi pharmaceutical commercial the way to make it happen? Probably not.
This Jamie Fox action flick is like watching someone else play a videogame — you might follow the action, but you’re not involved.
A faithful David Ayer supporter and one of the writer/director’s biggest non-believers debate the filmmaker’s latest LA crime saga.
Double Seth Rogens yield plentiful laughs, but the film’s zany premise is diluted by sentimentality and subpar plotting.
This Norwegian film is like reading a great novel that unfolds gradually and offers poignant imagery and sharply drawn characters.
