The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
Jonas Åkerlund’s Mayhem biopic is equal parts tongue-in-cheek and knives-through-cheeks.
The latest bad seed horror film starts out promising, then devolves into an exercise in frustration.
Will the confrontation between a now-weaponized Laurie Strode and the still unkillable Michael Myers provide a Home Alone of horror?
Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
The minds behind the latest Conjuring spin-off have no clue what to do with a promising horror set-up.
The Asheville Movie Guys discuss whether Ari Aster’s acclaimed horror debut is the real deal or another false genre prophet.
A look back at last weekend's new releases, which may prove to be the overall worst batch of 2018.
The Asheville Movie Guys switch to sign language and discuss Emily Blunt and John Krasinski in the latter's new thriller.
The Asheville Movie Guys take to the halls of a shady mental institution with Claire Foy in Steven Soderbergh's iPhone-shot thriller.
The Insidious series sees some regression in its fourth installment, but retains the title of horror greatest set of connected films.
If goal of the team behind the new adaptation of Stephen King’s It was to make a comedic vehicle for Stranger Things’ Finn Wolfhard, then job well done. Otherwise...
Julia Ducournau's film is the rare horror debut that places production value over easy profits.
Dual Michael Fassbenders and a handful of thrilling action sequences elevate Ridley Scott's otherwise so-so detour in the Alien series.
Michael O’Shea’s low-budget horror film offers a fresh take on the vampire subgenre.
The Polish horror/comedy/musical fails to master nor marry its discordant parts.
The acting and writing in this indie horror may not be notable, but the atmosphere, creature effects and rampant terror are.