Julius Onah’s cinematic retelling of J.C. Lee’s play Luce is a stage-to-screen adaptation nearly on the level of Doubt and Rabbit Hole.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Julius Onah’s cinematic retelling of J.C. Lee’s play Luce is a stage-to-screen adaptation nearly on the level of Doubt and Rabbit Hole.
Jillian Bell’s outstanding performance is undermined by simplistic presentations of running and weight loss.
The movie's grand revelations are worthy of a whole season of any prime-time soap.
Jennifer Kent follows up The Babadook with this nasty little rape revenge tale.
Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
It’s an engaging and well made movie, despite living in “Movie of the Week” territory, in this case taking on “our broken justice system.”
The adaptation of the beloved dog novel sidesteps potential sappiness with honest, emotional storytelling, plus characters easy to care about and difficult to leave.
Despite strong performances and occasional elite suspense, this Appalachian-set tale of religious fanatics is sadly underdeveloped.
The Asheville Movie Guys head to China for a discussion of Lulu Wang’s sophomore feature.
Quentin Tarantino’s latest stunner makes expert use of modern cinema’s biggest stars in a landscape fitting of their talents and charisma.
Starring a textbook sharp Jesse Eisenberg, the well-made dark comedy is a difficult film to recommend.
Jessie Buckley anchors this honest look at the quest for musical stardom.
Poetic moments define Joe Talbot’s moving portrait of gentrification’s victims in the Bay Area.
Just a few weeks after the pleasures of Long Shot comes another smart adult comedy, showcasing Emma Thompson and Mindy Kaling.
Another fine performance from Blythe Danner buoys this unchallenging movie about a dedicated survivalist (John Lithgow) looking for companionship.
Dreadfully slow and plain old dreadful, the ‘80-set British drama’s unlikable characters and simple story are barely worthy of a subplot in a larger, better film.
Olivier Assayas’ returns to meditations on art, commerce, and flawed celebrities with a look at the Parisian publishing world.
The Asheville Movie Guys crash-land in Kansas with an evil Superman. What could possibly go wrong?
