One man’s ambition sets up a fascinating clash between his indigenous Wayuu clan’s traditional values and encroaching ideals propelled by greed and violence.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
One man’s ambition sets up a fascinating clash between his indigenous Wayuu clan’s traditional values and encroaching ideals propelled by greed and violence.
The scattered successes by Tyler Perry & Co. feel haphazard and the barrage of attempts at humor and the high percentage of failure is borderline exhausting.
Executive produced by Tim Tebow, the football drama refreshingly taps its faith-based button before inevitably leaning on it.
An all-time great child performance and sustained hope over a lengthy runtime makes Nadine Labaki’s latest a worthy Oscar nominee.
Gina Rodriguez is given little to do in this snoozy remake of the acclaimed Mexican thriller.
Julia Roberts and Lucas Hedges excel in the second powerful family drama from 2018 to take on the opioid crisis.
The charming English-language remake of The Intouchables merits more respect than it’s bound to receive.
Barry Jenkins’ James Baldwin adaptation may very well be the only film of 2018 that can be called “beautiful.”
See Alfonso Cuarón’s Best Picture contender on the big screen while you can.
Robert Zemeckis’ effects-heavy hybrid builds on Mark Hogancamp’s psychology as introduced in the acclaimed documentary Marwencol.
The fact-based cross between House of Cards and Game of Thrones never quite reaches the heights of those stylistic inspirations.
Hirokazu Kore-eda’s Palm d’Or-winning drama further cements his status as the Japanese Mike Leigh.
Natalie Portman and young Raffey Cassidy shine in Brady Corbet’s unusual celebrity satire — or whatever it’s supposed to be.
It takes a particular talent to make an acting impact in a Clint Eastwood film. Dirty Harry himself is not one of them.
If you’re going to make a costume drama in 2018, you might as well make it weird.
Runner-up as best film of the year at this week’s Los Angeles Film Critics Association awards, Burning is long, leisurely and worth the investment of time.
The false feel-good movie of the holiday season realizes its low ambitions with the puzzling assumption that something profound has been achieved.
Paul Dano’s directorial debut starts off in extraordinary fashion before devolving into a fairly rote domestic drama.
