Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
Alexander Payne reteams with Paul Giamatti for what could be the director’s best film yet.
The usually reliable Taika Waititi fails to score with this fact-based sports comedy.
Nia DaCosta’s convergence of Carol Danvers, Monica Rambeau, and Kamala Khan ably synthesizes their narrative strands with plentiful laughs and Marvel’s typical top-notch action.
Craig Gillespie’s wildly entertaining dramatization of the GameStop stock saga is one of the year’s best films.
John Carney adds to his already rich oeuvre of feel-good films about the healing power of music.
Wes Anderson returns to the rich Roald Dahl well with charming adaptations of four short stories.
Sherry Cola establishes herself as a comedic force in this hilarious road trip adventure.
While Harrison Ford and several other familiar faces are back, along with some amusing nods to the original trilogy, this concluding (?) installment is defined more by what’s absent onscreen.
Wes Anderson sticks the landing on his most ambitious narrative yet.
Action and comedy blend well in this multiverse tale that unites old favorites and new heroes.
The jokes keep coming in this horror/comedy that’s not nearly the genre-skewering event that was “promised.”
Isa and Edwin discuss the sequel to the Oscar-winning animated extravaganza.
The latest dramatized product chronicle is one of the year’s best films — until an epic collapse undermines its significant gains.
Scene-stealing turns by Jason Momoa and John Cena pair nicely with the series’ usual ridiculous action set pieces.
Kristoffer Borgli’s pitch-black comedy dishes up a scathing critique of attention hounds and fame-seekers in the age of social media.