Luca Guadagnino’s cannibal road-trip movie might be the year’s most disjointed release.
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Luca Guadagnino’s cannibal road-trip movie might be the year’s most disjointed release.
Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
“Die Hard” meets “Bad Santa” and “Home Alone” in this wild addition to the holiday canon.
Steven Spielberg dramatizes his youth to highly entertaining ends.
A minimal plot and esoteric subject matter keep this debut drama from making much of an impression.
Mark Mylod’s star-studded foodie satire is far funnier than you’ve been led to believe.
Ryan Cooler & Co. craft a loving tribute to Chadwick Boseman while pushing their saga forward in impressive fashion.
The parody songwriter’s “life” makes for a near-ideal parody of music biopics.
A friendship comes to a sudden end in Martin McDonagh’s dark, metaphorically rich, period dramedy.
Todd Field and a career-best Cate Blanchett match tempos in the writer/director’s first film in 15 years.
Park Chan-wook’s meticulously crafted crime thriller is a wonder to behold.
Rampant silliness and the chemistry of Julia Roberts and George Clooney more than compensate for predictable storytelling.
Louie Schwartzberg’s followup to “Fantastic Fungi” is a frustrating collection of tone-deaf, self-congratulatory platitudes.
Ruben Östlund’s Palme d’Or-winning satire masterfully skewers capitalism and the extremely wealthy.
This documentary about the Ram Dass associate plays more like a recorded lecture than a film.
David Gordon Green and Danny McBride finally fulfill their potential as horror filmmakers.
Andrew Dominik’s thoughtful examination of the myth of Marilyn Monroe is one of the year’s best films.
David O. Russell makes a sloppy return to the screen, though an impressive ensemble nearly rescues him.
This reimagining of the Clive Barker classic takes its time delivering scares, which are generally worth the wait.