Michael Haneke has even less than usual to say about the human condition in his latest downer.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All tagged 2017
Michael Haneke has even less than usual to say about the human condition in his latest downer.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
Paul Thomas Anderson and Daniel Day-Lewis reunite a decade after There Will Be Blood and, with help from two immensely talented actresses, achieve similar success.
Robin Campillo's French AIDS drama plays out in such an authentic fashion that it frequently resembles a documentary.
Packed with great performances, Aaron Sorkin's directorial debut appropriately matches the energy of his writing.
Steven Spielberg's star-studded take on the Washington Post's handling of the Pentagon Papers is one of the year's best, most entertaining and most important films.
Seemingly improved by its last-minute recasting, the dramatization of the John Paul Getty III kidnapping is little more than a classic shaggy Ridley Scott film.
Joe Wright steps out of the way to let Gary Oldman deliver a towering performance as Winston Churchill.
Though slightly less fun than its predecessors, round three with the Barden Bellas nonetheless keeps the entertainment quotient high.
Despite a talented cast and the La La Land songwriting team, this P.T. Barnum musical is a dud.
Alexander Payne's satirical comedy offers visual gags galore alongside insightful commentary on modern life and where humanity might be going.
Despite its quizzical existence, the fun, goofy comedic adventure is basically a PG-13 analog for the R-rated Jump Street movies.
May the Force be with the Asheville Movie Guys as they fire up their lightsabers and discuss Rian Johnson's jambalaya of cute gags, self-doubting heroes and disconnected action sequences.
The frequently unpleasant, '50s-set drama is the second consecutive Woody Allen feature to raise the question of whether he has quality stories left to tell.
Oh hi, Movie Guys! What do you think of James Franco's take on the making of The Room?
Set inside a nunnery at the advent of Vatican II reforms, Margaret Betts’ coming-of-age drama flirts with greatness before ultimately succumbing to mediocrity.
Norwegian filmmaker Joachim Trier makes an entertaining detour with this psychological thriller of a college student with unusual powers.
