Lana Wachowski & Co.’s screenplay crackles, but the filmmaking hampers its potential.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Sci-fi
Lana Wachowski & Co.’s screenplay crackles, but the filmmaking hampers its potential.
Denis Villeneuve & Co. take their time with this visually stunning adaptation that’s very much a Part One.
Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
Natasha Romanoff’s long-awaited origin story — with a side of revenge — turns out to be one of the best of the standalone Marvel movies.
Neil Burger triumphantly returns to sci-fi with this intelligent, well-made thriller about a troubled space mission.
Tom Holland and Daisy Ridley struggle under Doug Liman’s direction in this sci-fi dud.
This generally empty military thriller is occasionally enlivened by Anthony Mackie’s android officer and other sci-fi sights.
George Clooney gets back on track as a filmmaker with help from an appealing ensemble and slick special effects.
Christopher Nolan's latest mind-bending adventure is wildly entertaining and immensely frustrating.
The shockingly dull combination of Nicolas Cage, Richard Stanley, and H.P. Lovecraft is an almost complete failure.
With ambitions well beyond its science fiction adventure plot line, the movie melds intense character conflicts with the oft-asked question: Are humans alone in the universe?
Claire Denis’ dull sci-fi drama squanders sharp visuals and strong performances.
Lurking within the mess of Rupert Wyatt’s follow-up to The Gambler is an exciting sci-fi short film.
Keanu Reeves is painfully awkward as a scientist who bends the laws of nature to save his family.
Shane Black’s irreverent sci-fi action/comedy is welcome entertainment after the past few weeks of dull studio fare.
A likable cast and intriguing premise are squandered in the name of ripping off better action movies about criminals.
Leigh Whannell skillfully builds on his horror background in this inventive, genre-embracing techno-thriller.
The Asheville Movie Guys navigate the world of aliens and British punks in John Cameron Mitchell’s new ‘70s-set film.
Alex Garland's follow-up to Ex Machina improves on his debut in nearly every conceivable manner.
