Ben Foster and Thomasin McKenzie are terrific as an independent father-daughter team forced to adapt to society.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Literary adaptation
Ben Foster and Thomasin McKenzie are terrific as an independent father-daughter team forced to adapt to society.
The star-studded Chekhov adaptation is marred by overly choppy storytelling that discourages flow and character investment.
The Asheville Movie Guys navigate the world of aliens and British punks in John Cameron Mitchell’s new ‘70s-set film.
The Asheville Movie Guys navigate sapphic romance, communal shunning and more in Sebastián Lelio second film of 2018.
The Asheville Movie Guys saddle up and take a lap with Andrew Haigh’s unusual horse drama.
Helen Mirren and Donald Sutherland subvert road trip standards in this generally charming and emotionally rich little movie.
The Asheville Movie Guys select their avatars and enter the OASIS to geek out with Steven Spielberg's new CG-heavy adventure.
The Asheville Movie Guys check in on the cutthroat dealings in 1953 Moscow and like what they see.
Greg Berlanti's groundbreaking mainstream gay teen comedy is a well-made film with good intentions.
The Asheville Movie Guys get...weird with some Hollywood A-listers and will never be the same.
Angourie Rice shines in this smart, fast-paced teen romance with a fantasy twist.
Quality animation, laughs and excellent soundtrack choices abound in this refreshingly goofy take on Beatrix Potter's source stories.
Where do the Asheville Movie Guys stand on the critically acclaimed coming-of-age film?
Under the direction of Kenneth Branagh, the best that the latest star-studded adaptation of Agatha Christie’s Murder on the Orient Express can hope for is a manslaughter charge.
Todd Haynes' latest experiment in gorgeous period filmmaking challenges viewers with its portrayal of deafness over dual storylines.
The Asheville Movie Guys report back from their Norwegian holiday with Michael Fassbender, Rebecca Ferguson and J.K. Simmons.
Stephen King's beloved novel translates poorly to the screen – and Matthew McConaughey is largely to blame.
William Oldroyd’s period drama looks great and features a breakthrough performance by Florence Pugh, but has difficulty justifying its existence.
The Asheville Movie Guys debate the merits of Luc Besson's return to zippy sci-fi.
Jeff Baena’s star-studded riff on The Decameron is only a few big laughs removed from being a significant waste of time.