Nicolas Cage’s Dracula lives up to its zany potential in this unapologetically bloody and violent action/comedy.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
Nicolas Cage’s Dracula lives up to its zany potential in this unapologetically bloody and violent action/comedy.
Brandon Cronenberg’s latest mindf*#& is visually creative but narratively messy.
David Gordon Green and Danny McBride finally fulfill their potential as horror filmmakers.
This reimagining of the Clive Barker classic takes its time delivering scares, which are generally worth the wait.
A failure on practically every level, this purported satire might be the worst film of 2022.
Jordan Peele’s latest winner adds a command of spectacle to his already impressive filmmaker toolbox.
Thick atmosphere and a few good jump scares can’t save this so-so horror film.
James and Edwin discuss Alex Garland’s trippy new horror film.
Not nearly as playful as it initially suggests, Ti West’s period horror film is a straightforward but generally well-crafted affair.
Mariama Diallo’s feature debut plays like the heir to “Get Out,” but falls apart at the end.
Creative twists on werewolf lore are marred by an overly slow-burn pace and repetitive action.
Wes Craven is sorely missed in the series’ worst installment thus far.
Edgar Wright’s era-hopping horror/mystery is a spellbinding ride — until the plot kicks in.
Scott Cooper’s hard-nosed style translates well to this dark, gritty tale of folkloric horror.
Far more dark fantasy than horror, this Icelandic slow-burn thriller is a master class in suspenseful wonder.
David Gordon Green & Co. ramp up the body count for this grisly sequel, but neglect their writing and directing duties.
Nia DaCosta’s sequel succeeds as a horror film, but is less effective as a social thriller.
