The Asheville Movie Guys discuss whether Ari Aster’s acclaimed horror debut is the real deal or another false genre prophet.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Horror
The Asheville Movie Guys discuss whether Ari Aster’s acclaimed horror debut is the real deal or another false genre prophet.
A look back at last weekend's new releases, which may prove to be the overall worst batch of 2018.
The Asheville Movie Guys switch to sign language and discuss Emily Blunt and John Krasinski in the latter's new thriller.
The Asheville Movie Guys take to the halls of a shady mental institution with Claire Foy in Steven Soderbergh's iPhone-shot thriller.
The Insidious series sees some regression in its fourth installment, but retains the title of horror greatest set of connected films.
If goal of the team behind the new adaptation of Stephen King’s It was to make a comedic vehicle for Stranger Things’ Finn Wolfhard, then job well done. Otherwise...
Julia Ducournau's film is the rare horror debut that places production value over easy profits.
Dual Michael Fassbenders and a handful of thrilling action sequences elevate Ridley Scott's otherwise so-so detour in the Alien series.
Michael O’Shea’s low-budget horror film offers a fresh take on the vampire subgenre.
The Polish horror/comedy/musical fails to master nor marry its discordant parts.
The acting and writing in this indie horror may not be notable, but the atmosphere, creature effects and rampant terror are.
