Joel Edgerton cements his reputation as a talented filmmaker with help from a gifted ensemble.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Joel Edgerton cements his reputation as a talented filmmaker with help from a gifted ensemble.
The Asheville Movie Guys follow Steve Carell and Timothée Chalamet on a fact-based tale of addiction.
Jonah Hill’s directorial debut is a promising but all too brief look at rites of passage in a bygone era.
The Asheville Movie Guys join Robert Redford on his alleged final heist.
The timely, well-made adaptation of the best-selling novel plays like a YA cousin of Blindspotting, down to several parallel scenes.
The Asheville Movie Guys take different trajectories with Damien Chazelle’s Neil Armstrong biopic.
Strong performances by Keira Knightley and Dominic West are hampered by flat filmmaking in this would-be provocative biopic.
Lady Gaga and Bradley Cooper make beautiful music in the latter’s directorial debut, but the film fails to deliver the emotional wallop it seemingly promises.
The violent, messy hodgepodge of influences ranging from The Purge to De Palma is meritless even as social critique.
Emma Thompson delivers her best performance since 2013 in this sharp adaptation of Ian McEwan’s novel.
Lizzie is not the definitive solution to the real-life 1892 axe murder mystery, but it's a intriguing effort with some fresh ideas and fine performances.
Dan Fogelman’s star-studded dramedy is a disaster so dedicated to its failed approach that the consistency results in its own form of must-see entertainment.
The Florida Project + better child actors - Willem Dafoe = Jeremiah Zagar’s adaptation of Justin Torres’ novel.
Newcomer Richie Merritt holds his own opposite Matthew McConaughey in this decent fact-based crime drama.
The Asheville Movie Guys fly to Stockholm with Glenn Close and Jonathan Pryce for this literary drama.
Not even Bill Nighy can save this faux Anglophilic charmer from its boring fate.
The dramatization of Mossad’s operation to bring Adolph Eichmann to justice is a tame addition to the Nazi-hunting subgenre.
Kelly Macdonald and Irrfan Khan are their usual likable selves in the service of Marc Turtletaub’s surprisingly complex jigsaw-centered dramedy.
The first of the fall’s two gay conversion therapy camp dramas is compelling yet predictable.
This pointless remake of the McQueen/Hoffman classic continually raises the reason for its existence.
