Greta Gerwig's solo directorial debut is entertaining and admirable on many levels, but remains on the brink of greatness.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Greta Gerwig's solo directorial debut is entertaining and admirable on many levels, but remains on the brink of greatness.
Todd Haynes' latest experiment in gorgeous period filmmaking challenges viewers with its portrayal of deafness over dual storylines.
Sean Baker's follow-up to Tangerine gets a major boost from Willem Dafoe, but is otherwise another endurance test with unlikeable and irredeemable characters.
The Asheville Movie Guys gear up and trek into the forest to battle wild blazes alongside Josh Brolin, Miles Teller and Taylor Kitsch.
Judi Dench's latest cinematic brush with Indian culture — as well as her second turn as Queen Victoria — is a warm-hearted delight.
Humor and exciting tennis rescue this mediocre take on the 1973 Billie Jean King/Bobby Riggs tennis match from biopic failure.
J.D. Salinger fans will get some glee out of this flawed but well-intentioned portrait of the artist as a young writer.
Mike White takes a significant step up from Beatriz at Dinner with this well-rounded midlife crisis tale starring Ben Stiller.
Though pleasant and good-looking, the latest from Bend It Like Beckham director Gurinder Chadha is less a narrative film than an elaborate history lesson.
The first of the inevitable “Children of Moonlight” films is barely a shadow of its Best Picture winning forebear in every conceivable way.
As the titular hard luck Jewish widower, amateur actor Menashe Lustig delivers the kind of magnetic, natural performance rarely seen in cinema.
Architect Steve Arnaudin discusses Kogonada's picturesque drama and its use of the titular Indiana town's rich modernist designs.
The Asheville Movie Guys step in the cypher and battle over the hip-hop coming of age dramedy.
The Safdie brothers establish themselves as filmmakers to watch in this promising but uneven look at — appropriately enough — male siblings in a tight spot.
The Asheville Movie Guys are split (cracked?) on the star-studded adaptation of Jeanette Walls' best-selling memoir.
Kathryn Bigelow's intense, difficult dramatization of the 1967 Motor City riots is a thoroughly rewarding view.
The second feature collaboration between filmmaker Gillian Robespierre and star Jenny Slate is immeasurably better than their first.
William Oldroyd’s period drama looks great and features a breakthrough performance by Florence Pugh, but has difficulty justifying its existence.
David Lowery's meditation on loss and human connection to people, places, and things is often dopey in the moment, but has surprising lasting power.
