Kathryn Bigelow's intense, difficult dramatization of the 1967 Motor City riots is a thoroughly rewarding view.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Drama
Kathryn Bigelow's intense, difficult dramatization of the 1967 Motor City riots is a thoroughly rewarding view.
The second feature collaboration between filmmaker Gillian Robespierre and star Jenny Slate is immeasurably better than their first.
William Oldroyd’s period drama looks great and features a breakthrough performance by Florence Pugh, but has difficulty justifying its existence.
David Lowery's meditation on loss and human connection to people, places, and things is often dopey in the moment, but has surprising lasting power.
Sally Hawkins and Ethan Hawke spread their dramatic wings in this generally unpleasant biopic of Nova Scotia outsider artist Maud Lewis.
The Asheville Movie Guys fall for this fact-based, culture-clash dramedy, but more for the parents than the love interests.
An indie darling cast led by Mr. Robot's Rami Malek are largely squandered in this would-be mind$&%*.
Christopher Plummer and Janet McTeer inspire the best work yet from Jai Courtney and Lily James in this WWII drama.
The Asheville Movie Guys find little to like about Sofia Coppola's Civil War chamber drama beyond its visuals and all-star cast.
Ken Loach's emotionally devastating Palme d'Or winner has its finger on the pulse of average citizens' plight like few modern films.
Ana Lily Amirpour's dystopian drama is as visually inventive and narratively deficient as her previous film, A Girl Walks Home Alone At Night.
Salma Hayek and especially John Lithgow are terrific in this otherwise undeveloped and redundant critique of the One Percent.
The concept of Cate Blanchett playing 13 characters lives up to its potential in Julian Rosefeldt's cinematically rich collection of monologues on art.
Colin Trevorrow's return to indie filmmaking between Jurassic World and Star Wars installments is a mixed bag.
Eleanor Coppola's gorgeous road trip movie is rich in sightseeing and food photography yet poor in meaningful content.
Rachel Weisz and Sam Claflin shine in Roger Michell's visually and emotionally rich adaptation of the Daphne Du Maurier thriller.
Trey Edward Shults' thriller showcases his gifts as a technician and shortcomings as a writer.
Suspect casting and bad accent work undermine this look at the British PM's mindset leading up to D-Day.
Debra Winger and Tracy Letts lead a mostly phenomenal cast in this painfully relatable (in a good way) look at midlife romance.
Terence Davies' Emily Dickinson biopic in rich in sharp imagery, strong performances and drama.
