The documentary is a harrowing look at the past and a rallying cry for the present and future.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Documentary
The documentary is a harrowing look at the past and a rallying cry for the present and future.
Though visually-stunning, the documentary about Macedonian wild beekeeper Hatidze Muratova is a tough sit.
Alex Holmes’ documentary about Tracy Edwards and her all-woman Whitbread Round the World Race team is frequently thrilling as well as inspiring.
The hagiographic bio-doc on the Nobel-winning author might just be the dose of positivity that humanity needs.
Though Dylan in the Canyon is a more accurate title, this tribute to Laurel Canyon’s musical legacy is frequently magical.
This is the Rocketman for Tosca fans, a celebratory recounting of a life of countless unique and momentous episodes and unforgettable music.
Penny Lane’s documentary on the misunderstood Satanic Temple is a cheeky, thoroughly entertaining and enlightening work.
As Ask Dr. Ruth makes clear, there has never been anyone quite like Dr. Ruth Westheimer and isn’t likely to be again.
The long-shelved Aretha Franklin concert doc has the potential to resonate with anyone capable of being moved by great music.
A documentary captures revealing behind-the-scenes footage of nationalist strategist Steve Bannon in both victory and defeat.
A Canadian comedy duo embark on a journey of history and noshing through Montreal’s Jewish neighborhood.
With a former “Late Show” writer serving as our guide, the lost world of industrial musicals gets the documentary treatment.
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
The new documentary may best be appreciated as an appendix to last year’s First Man, a narrative film that tells you more about the people involved and covers the back story that’s missing here.
Just in time for Mardi Gras, this music doc on the Preservation Hall Jazz Band joyously celebrates the spirit of New Orleans and its cultural cousins across the Gulf of Mexico.
This year’s finalists include several worthy films and a couple of head-scratchers.
RaMell Ross’ Oscar-nominated documentary both warrants enthusiasm for its directorial creativity, yet frequently allows this same unconventionality to bog down the proceedings.
Peter Jackson’s colorized WWI documentary is visually extraordinary, but fairly dry in other regards.
The documentary on the Santa Fe art collective is an entertaining portrait of its history and creations, but skimps on its members’ collaborative dynamics.
The delightful documentary about young people poised to better the world is bound to leave viewers of all ages optimistic about the future.