The Asheville Movie Guys make a case for seeing the Coen brothers’ anthology film on the big screen.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
The animated sequel is as fun and funny as its predecessor, though the increased reliance on live-action exposition is troubling.
Taraji P. Henson stars in this likable but mild comedy with a sentimental streak.
Joe Cornish’s family-friendly King Arthur movie makes a star out of Angus Imrie as “Young” Merlin.
A committed Steve Coogan and John C. Reilly practically disappear in this thoroughly pleasant biopic of Laurel and Hardy.
The charming English-language remake of The Intouchables merits more respect than it’s bound to receive.
Not nearly as bad as advertised, the reunion of Will Ferrell and John C. Reilly nonetheless can’t quite be called “good.”
Bruce and Edwin loop in honorary Asheville Movie Guy, Christopher Oakley, for a roundtable discussion of Adam McKay’s Dick Cheney biopic.
True to form, the year’s most joyful film is practically perfect in every way.
If you’re going to make a costume drama in 2018, you might as well make it weird.
Ike Barinholtz takes a plausible, Purge-like premise of governmental overreach and filters it through unappealing, ultimately toothless means.
Tom Hardy shows off an appealing, awkward comic side in this charmingly weird comic book flick.
The year of films about real-life art heists rolls on with this seriocomic look at the 1985 looting of Mexico City’s National Anthropology Museum.
Tiffany Haddish, Kevin Hart and an appealing supporting cast have contagious fun in this predictable comedy.
Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
Dan Fogelman’s star-studded dramedy is a disaster so dedicated to its failed approach that the consistency results in its own form of must-see entertainment.
Shane Black’s irreverent sci-fi action/comedy is welcome entertainment after the past few weeks of dull studio fare.
With major help from Anna Kendrick, Blake Lively and screenwriter Jessica Sharzer, Paul Feig directs his first quality film since Bridesmaids.
Rose Byrne and Ethan Hawke are thoroughly charming in one of the more mature and honest looks at romance in recent cinema.
