The legendary animation studio returns to form with this sequel to one of its greatest hits.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All by Edwin Arnaudin
Much like her talented father 25 years ago, writer/director Ishana Night Shyamalan is a talent to watch.
June Squibb and Richard Roundtree aren’t the heroes we deserve, but they’re the ones we need
Daina Oniunas-Pusic’s imaginative feature directorial debut is also a bit one-note.
The team of Lena Dunham and Stephen Fry proves ill-suited for this Holocaust drama.
Richard Linklater’s latest fact-based winner makes the most of star Glen Powell’s charms.
Filmed in Hendersonville, this lousy, star-studded comedy’s lone appeal is the local scenery.
Pamela Adlon’s directorial debut serves of nearly non-stop laughs and Intelligent commentary on adult friendships, modern motherhood, and other mature matters.
Director Wes Ball improbably delivers the series’ best installment since 2011.
David Leitch’s action/comedy is an overstuffed but loving ode to the stunt community.
Writer/director Jane Schoenbrun seems more interested in creating a relatable, nostalgia-rich world than filling it with much in the way of substance.
Sam Taylor-Johnson’s Amy Winehouse biopic honors the late singer/songwriter’s talents and flaws.
Ethan Hawke’s disjointed Flannery O’Connor biopic is a frustrating view.
Writer/director/star Vera Drew’s trans coming-of-age story is an inspired mess.
Avoid the film’s spoiler-rich marketing if you can. Otherwise, there’s little point seeing this so-so thriller.
Quirky fun abounds in the Zellner Bros.’ Bigfoot movie, but a little goes a long way.
Alex Garland’s speculative thriller is equal parts bracing, challenging, and entertaining.
Quick takes on four recent mainstream titles.