Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
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Every aspect of Edward Norton’s ‘50s-set noir is good enough, but mysteriously never aspires to greatness.
The animated sequel is as fun and funny as its predecessor, though the increased reliance on live-action exposition is troubling.
Though typically unbreakable in their opinions, the Asheville Movie Guys split on M. Night Shyamalan’s storyline-blending thriller.