The play is a showcase for its performers, playing two married couples whose humor and vulnerabilities come out on an ocean cruise.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
The play is a showcase for its performers, playing two married couples whose humor and vulnerabilities come out on an ocean cruise.
The mid 1960s Neil Simon classic is blessed with a fine Oscar and Felix, who bring new angles to the familiar roles.
As you might guess from the title, this original comedy has something to say about the state of Asheville, circa 2019.
Gabby Bailey leads a strong teen trio in Attic Salt Theatre Company’s production of Stephen Karam’s play.
Two of WNC’s top actors nimbly cover 13 roles between them in this Irish dark comedy.
The raucous satire burns brightest when it leans into the action movie satire.
Krapp’s Last Tape and The Zoo Story are not to be missed at The Sublime Theater — but they are not for the faint of heart.
Nearly eight years after its premiere, the satirical musical from the South Park and Avenue Q creators still packs a mighty comedic punch.
Footloose is a musical about a community healed by music and dancing. What could be better at our own community theater?
The production features five male sisters who raise their voices to the heavens and keep the audience laughing non stop.
The black box theater feels like the destined match for Tom Chalmers’ marvelous turn as Crumpet the elf.
Tom Godleski’s music-filled, ‘50s-set holiday charmer returns to Asheville Community Theatre.
A solo Michael Lilly is terrific in this unified feat of acting, writing and direction.
The beloved musical receives a faithful, riotous production by a talented Asheville Community Theatre cast and crew.
The hilarious play about a murder mystery well-versed in Murphy’s Law is worth a trip to the Peace Center.
Flat Rock Playhouse’s new comedy Always a Bridesmaid is a lot of fun, following four close-knit women who make good on a long-ago promise to participate in each other’s weddings.
Asheville Community Theatre does an admirable job with the NC premiere of Marc Palmieri’s play, but the esoteric material and underdeveloped characters prove problematic.
Once the Dublin-set time-travel romance’s concept grows clearer, it becomes quite moving.