Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
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Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
Susan Sarandon and an A-list cast give this otherwise unsurprising family drama of terminal illness a credible sympathetic power.
The frequently unpleasant, '50s-set drama is the second consecutive Woody Allen feature to raise the question of whether he has quality stories left to tell.