More like “Awkwardman and the Lost Opportunity.”
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comic book adaptation
More like “Awkwardman and the Lost Opportunity.”
Nia DaCosta’s convergence of Carol Danvers, Monica Rambeau, and Kamala Khan ably synthesizes their narrative strands with plentiful laughs and Marvel’s typical top-notch action.
Latino representation in superhero films receives a boost with this decent origin story.
Action and comedy blend well in this multiverse tale that unites old favorites and new heroes.
Isa and Edwin discuss the sequel to the Oscar-winning animated extravaganza.
Isa and Edwin blast off with the MCU’s rag-tag group of heroes one last (?) time.
Isa Whitaker joins Edwin to discuss the latest MCU feature.
Taika Waititi’s distinct blend of action and comedy works wonders in the fourth Thor film.
The next great midnight movie is here.
A decade after “The Dark Knight Rises,” it’s finally time to get excited about a new Batman again.
Matthew Vaughn’s first mediocre film wastes a talented cast and a seemingly rich story.
The latest MCU release plays more like a DCEU movie.
Tom Hardy keeps the odd couple action/comedy come book series entertaining, despite a pair of lackluster villains.
The Asheville Movie Guys discuss the latest MCU adventure.
James Gunn’s violent and funny take on the band of DC criminal misfits is a step up from David Ayer’s 2015 attempt, but also feels like a missed opportunity.
Natasha Romanoff’s long-awaited origin story — with a side of revenge — turns out to be one of the best of the standalone Marvel movies.
The ultimate vanity project, this four-hour endurance test is the work of a director so lost in his personal interests that the level of egotism would be impressive if the film itself wasn’t so poorly made.
Simon Bird’s terrific graphic novel adaptation feels like a British translation of a Daniel Clowes comic.
Patty Jenkins, Gal Gadot & Co. let loose and improve on the series’ safe, basic predecessor.
Gina Prince-Bythewood makes a clunky transition to action filmmaking and wastes the talents of a gifted ensemble.
